Tag Archives: Lisa Oropesa

Enjoyable Don Pasquale

30 Jul

Glyndebourne’s Don Pasquale has returned for its fourth run – twice on tour and, now, twice the Festival. I saw the latest run on 30th July.

Mariame Clement’s production, backdated to a Chardin-ish 18th century is a cynical piece of work.  Malatesta is clearly having an affair with Norina and will also continue to do so after the marriage with Norina (unlike previous incarnations, she no longer runs off with him at the end).  I found myself disliking it very much at its last outing on the tour.  It didn’t seem so bad here – though I find the idea of Malatesta and Norina going into a bathtub pretty fully clothed a bit unlikely.   I’m not sure about the chorus as an audience.  Bits and pieces have been changed but, at this run, it seemed to get the piece generally about right – a cynical comedy where nobody comes out particularly well.  It’s clearly been built for the tour rather than the festival but the acting is strong and the performance held its own.  The audience enjoyed itself.

The cast was adequate.  Renato Girolami acts Pasquale rather well, though not quite Corbelli.  Vocally, he sounded under-powered but put the words across pretty well.  Andrew Stenson as Ernesto did a perfectly decent job but I can’t particularly imagine wanting to hear him in anything else. Andrey Zhilikhovsky acted a nasty, sinister, sexy Malatesta and sang pretty strongly.  It’s not the largest or most beautiful of voices, but he made a stylish Malatesta who certainly held the stage as the manipulator.

He was matched by Lisette Oropesa as Norina.  She struck me as having the biggest personality and a really attractive voice that was pretty much ideal for the role.  She sang very stylishly and gave a lot of pleasure with accurate coloratura and strong pointing of the words.  I’m not sure that she made Norina a particularly sympathetic character, but she probably isn’t.

Giacomo Sagripanti conducted an alert, performance.  The chorus was in splendid form and so was the LPO.  The performance zipped along at just the right speed and there was no question that I was watching one of the finest Italian comic operas even if I could imagine performances which were vocally a bit more accomplished and productions a bit less cynical.  It’s worth a visit.